 | INTRODUCING THREE NEUE NEUE DIN ALPHABETS |
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From typefaces that speak many languages to ensuring that those who are doing good in the world right now can afford them, we are always looking at how we can innovate and meet the needs of our dear customers. In this month’s round-up, we’re delighted to introduce Neue DIN Thai, Cyrillic, and Greek and shine a spotlight on the faces behind these new fonts. We’re also as pleased as punch to offer a brand new discount to artists, nonprofits and cultural organizations. And there’s a gorgeous use case with a killer combo of ‘Nice Pangea’ and something special from a friend for those interested in type history and debates. |
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| | Neue DIN now speaks Thai, Cyrillic, GreekBack in January, we welcomed Italics and Retalics to Neue DIN. With huge thanks to Oleksandr Parkhomovskyy 🇺🇦 (with support from Eugene Yukechev 🇷🇺), Irene Vlachou 🇬🇷, and Boom Promphan Suksumek 🇹🇭, we’ve just expanded the typeface to include three brand new alphabets. Neue DIN now supports Cyrillic, Greek, and — for the first time in a DIN typeface — Thai (in the Loopless variant). While this means we can no longer describe the project as ‘100% Made in Berlin,’ it was important to us to have the non-Latin language extensions designed by native-speaking designers. All three alphabets support the whopping 243 static fonts, or for those who prefer a more manageable approach, the single variable font also supports the new languages. With this update, two of our 15 (super)families now speak Thai (Pangea, which we also launched in January, and Neue DIN) and five now speak Cyrillic and Greek (Neue DIN, Pangea, Case, Change, and Ika). We are in the process of collaborating with other non-Latin designers to continue to extend Neue DIN’s capacities, so please do let us know if you are in need of a particular language or alphabet, as we would love to help. As always, the price for our linguistically enhanced fonts remains the same. The new files are available free of charge to all registered users and can be found in your Fontwerk account. For anyone who has previously licensed Neue DIN as a guest, you can ‘upgrade’ your account: Simply click the ‘Create New Account’ link and use the email address you previously used. Your orders placed as a guest will then be linked to the new account. And by the way, thanks to the Regional Pricing, which we introduced at the end of last year, many of the people speaking one of the new languages benefit twice from this update. For example, customers based in Thailand receive Neue DIN at a 61% discount. The idea behind this is to better reflect the realities of life in different regions (more on this here). | |
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| | The faces behind Neue DIN’s huge updateWhile many typefaces become ubiquitous and instantly recognizable, the actual human faces and names behind them often remain hidden. So we thought we would take this opportunity to shine a little spotlight on the designers who have joined the Neue DIN family. Born in Odessa and raised in Kyiv, Oleksandr Parkhomovskyy is a Communication Designer and Typeface Designer, who studied in Schwerin and The Hague. With a penchant for a diverse array of design influences, from Stormtrooper helmets, Matisse’s ‘Blue Nudes’, to the ⌘ key, when he’s not running his own foundry (Rekord) or consulting for others, Oleksandr can be found tinkering with his bike or out with his camera. Based on the Greek Island of Syros, from where she’s conducting research into ‘Greek Fonts on Screens’, Irene Vlachou has already garnered a wealth of knowledge of Greek type design and variable fonts. So much so that she is often called upon to share her expertise through talks, seminars, workshops, and publications. When she’s not researching or consulting for others, she can be found practicing her violin. Boom Promphan Suksumek was born in Bangkok and is now based in The Hague where she runs her own label (Boomtype) and consults for other type organizations. Boom is dedicated to documenting and preserving Thai typography culture and has developed the online platform Thaipography Archives, which is a public visual archive dedicated to capturing Thai typography in the wild. She also runs a popular YouTube Channel, where she documents her Type Walks. Danke! | |
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| | 25% off for nonprofits, cultural organizations and artistsIn our quest to ensure that we meet the needs of all our customers and also support and give back to those who also want to make the world a better place, we’re introducing a 25% discount for all registered nonprofit organizations, cultural institutions (e.g., museums, galleries, publishers, festivals, libraries), and artists. If you are involved in charitable or cultural activities or represent a recognized institution and need the fonts for this purpose, just activate the Cultural and Nonprofit Discount 25% button in the Discounts (Education, Culture) drop-down menu before selecting the product. This will show you the reduced net prices. We trust your honesty, so we don’t need to see any proof. However, in cases of justified doubt, we reserve the right to see evidence of nonprofit status or social, ecological, humanitarian, or cultural commitment. Not sure if you qualify or are eligible for this discount? Please get in touch before you purchase and we’ll be happy to help! | |
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 It always makes us smile when brands pair two of our typefaces together. So we were excited to see the killer combo of Nice Micro and Pangea take center stage for the Swiss premium swimwear brand, Noah’s Ocean. Designed by Robert Fritze, Noah’s Ocean views style and sustainability as inseparable. All the designs are created in Zurich and then produced in a small workshop near Porto, so the company has a deliberately short supply chain. Each design includes 100% recycled post-consumer PET making the material quick-drying, velvety soft, durable, and resource-efficient. The collection currently occupies a previously unoccupied niche, the father-and-son collection. Pangea and Nice appear across all the visual identity. Just like Pangea (whose designer Christoph Koeberlin donates to the conservation and reforestation of the rainforest every time his font is licensed), Noah’s Ocean also gives back. For every product sold, Noah’s Ocean makes a donation to select marine conservation programs that are dedicated to protecting sea turtles and marine ecosystems. As Robert says, “The combination of Pangea and Nice—or as I call it, ‘Nice Pangea’—conveys both Noah’s Ocean’s premium positioning and its commitment to sustainability and the timeless father-son concept.” And we couldn’t agree more. The result is two typefaces that create one cohesive brand identity. ↗ |
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We love to geek out about type history and all things typography related, so we were delighted to see this brand new project by our dear friend, Sven Fuchs. Typography Debate is the culmination of many years of research by Sven resulting in a digital archive of modernist typographic discourse, So if you, like us, want to dive deep in exploring that fundamental and somewhat existential question, ‘What should printed language look like?‘, look no further than Typography Debate. Sven also provides a German version: typografie-debatte.de ↗ |
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Did you know we can also provide additional languages and alphabets on request? Our typefaces already support all Latin-based European languages such as English, French, Spanish, German, Czech, Polish and Turkish. Some families also support African Latin, Greek, Cyrillic, Arabic, Hebrew or Thai. But if you’re looking for something specific, we can make custom fonts for you. From Thai to Cyrillic, from Greek to Japanese, from Arabic to Chinese, from Hangul to Devanagari, we’d love to help your brand speak more languages. |
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