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Designing typefaces is our passion. Shaping them into stories is what drives us.
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MSC Cruises
Geneva-based brand agency Magic Pencil was commissioned to completely revamp the third largest cruise brand in the world – from the website through to the printed materials. For MSC Cruises’ corporate font, they chose Pangea.
Hamburg Sustainability Conference 2024
There was really only one suitable typeface for the visual identity of a conference on sustainability: Pangea.
Neue Sachlichkeit
The Kunsthalle Mannheim is dedicating a major exhibition to the phenomenon of “New Objectivity”. The accompanying exhibition catalog is set in Daniel Perraudin’s West typeface.
Powerhouse
Melbourne-based design studio Side By Side chose Pangea for the visual identity of the Australian environmental company Powerhouse.
Andrea Grudda
As her website is 90% text, the visual identity of the Andrea Grudda brand is primarily influenced by Nikolai’s identity.
Solomiya
Photographers Sebastian Wells and Vsevolod Kazarin decided to start a project with and about young people in Ukraine and so the foundation was laid for an extraordinary art magazine – set in Nice Poster and Nice Text.
Jonas Arleth
Ten years ago, Jonas Arleth started his career as an independent developer and trainer. Today, more than one million people a year attend his courses and projects which are designed using Pangea and Pangea Text.
Honey (PayPal)
Under the wing of Paypal, the Honey apps’s visual identity was also strengthened, among other things with the Pangea font family.
Magnitude
A year before the acquisition, Magnitude prepared itself: with a revised visual identity in which the fonts, Pangea and Pangea Text play a leading role.
Turbine
Technical precision that leaves a lasting impression
