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Designing typefaces is our passion. Shaping them into stories is what drives us.
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Wilde Elbe
The 200-page photo book was designed by the Munich design office of Schmid/Widmaier. The headlines and captions are set in West.
Scarlet Imprint
For the typesetting of Frater Acher’s ‘Holy Heretics’ and ‘Holy Daimon’, editor and designer Alkistis Dimech chose Romaine by Aad van Dommelen.
3466
The Turin-based creative agency Tundra Office was responsible for the visual identity of the renowned literary prize 3466. For the memorable logo, the website and all printed and digital marketing materials, they also used some of Pangea’s styles.
Neue Sachlichkeit
The Kunsthalle Mannheim is dedicating a major exhibition to the phenomenon of “New Objectivity”. The accompanying exhibition catalog is set in Daniel Perraudin’s West typeface.
200 Years of the Frauenbad
To mark the 200th anniversary of the Frauen- und Carolinenbad in the Austrian spa town of Baden, an exhibition at the Arnulf Rainer Museum documented its history.The accompanying catalog is based on a perfect combination of Case and Nikolai.
10 Years SAPV
On the occasion of its anniversary, the Specialized Palliative Care Outpatient Team in Ludwigsburg pays tribute to the work of the facility and all its stakeholders in a commemorative publication, which is set in Pangea.
Sundance Festival
Many famous directors have celebrated their breakthroughs at the largest independent film gathering in the US, including Quentin Tarantino, the Coen brothers and Jim Jarmusch. The 2022 edition used the Pangea family as its house font.
Ridley Howard ‘Shorelines’
When Creative Director Magnus Naddermier was hired by the Paris-based gallery Andréhn-Schiptjenko to design ‘Shorelines’—the first publication covering the works of American painter Ridley Howard—he decided to use the Display variant of the McQueen family.
Cover Studies
Aad van Dommelen created some fictional cover designs to show Romaine flexing her typographic muscles.