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Designing typefaces is our passion. Shaping them into stories is what drives us.
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MSC Cruises
Geneva-based brand agency Magic Pencil was commissioned to completely revamp the third largest cruise brand in the world – from the website through to the printed materials. For MSC Cruises’ corporate font, they chose Pangea.
Semi-Custom Font for Seibert
Seibert turned to us because McQueen was already being considered as the new corporate font – as part of the gradual redesign of the visual identity. Two logo fonts were built in just six weeks, which ensure comfortable and safe use of the variants for all employees.
Iberdrola
‘Pangea is a digital, versatile, and easily recognizable typeface family, serving as a crucial asset for Iberdrola.’, Design Bridge and Partners designer Marco Walker states.
REA Group
The Pangea typefaces are now the new corporate fonts and used globally across Australia’s seventh largest digital brand, REA Group. The public company operates realestate.com.au, the country’s largest real estate platform.
Demostack
The cloud-based design tool Demostack was developed for the Sales, Marketing and Partnership Managers of SaaS companies to set up, control and maintain a product demo environment. Demostack’s visual identity and digital design makes great use of Pangea Text.
Gropyus
On the Gropyus website as well as in the app, the typefaces Pangea and Pangea Text perform excellently, exuding confidence and credibility.
Kintell
Kintell is an Australian technology company specializing in video-based learning: from 1-to-1 expert advice to solutions for teams and companies. Its choice of Pangea Text as its font is therefore backed by experts.
Honey (PayPal)
Under the wing of Paypal, the Honey apps’s visual identity was also strengthened, among other things with the Pangea font family.
Magnitude
A year before the acquisition, Magnitude prepared itself: with a revised visual identity in which the fonts, Pangea and Pangea Text play a leading role.
Font Engineering for ZDF Corporate Font
The design studio bBox completely revamped and redesigned the corporate typeface for Germany’s largest TV channel, with Fontwerk responsible for font engineering. Taking a lead from Helvetica was the guiding goal and brief from the ZDF.
Koppla
With its broad proportions, super elliptical curves and close spacing, Turbine embodies what craftspeople require: stability, precision and harmony.